I came to this work the way most truly committed people come to anything — not because it was a career, but because the world without it felt slightly less interesting. The first piece that taught me anything was a small Edwardian sapphire ring in my grandmother’s drawer. It was unglamorous, slightly tarnished, and entirely alive.
Today I work with a small number of collectors, families, and institutions who would rather ask one good question than ten loud ones. If that sounds like you, you are exactly who this practice was built for.